INHALE is a cultural platform where artists are presented, where great projects are given credit and readers find inspiration. Think about Inhale as if it were a map: we can help you discover which are the must-see events all over the world, what is happening now in the artistic and cultural world as well as guide you through the latest designers’ products. Inhale interconnects domains that you are interested in, so that you will know all the events, places, galleries, studios that are a must-see. We have a 360 degree overview on art and culture and a passion to share.

Tell us what you think:
THANK YOU FOR YOUR MESSAGE!
Share this site to:
Subscribe to Newsletter
Thank you! You are registered to our weekly newsletter.
Site Search
10 years, 5 months ago
Daniel Arsham: The Future is Always Now at Galerie Perrotin
Filled under: Front Page, Visual arts
ADS CURATED BY INHALE
Related to post:
from
'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

DANIEL ARSHAM “The Future is Always Now”
Galerie Perrotin, Paris / June 12 – July 26, 2014
Press preview: Thursday June 12, 10am-12pm
“The Future is Always Now” is the ninth solo exhibition by New York artist Daniel Arsham at Galerie Perrotin, presenting a new body of approximately twenty artworks around the theme of music.

photo Mathieu Vilasco

photo Mathieu Vilasco

For this exhibition, Daniel Arsham features a series of new casts based around the world of music presenting eroded sculptures, such as guitars, turntables, a microphone, boomboxes, a walkman and keyboards. These instruments, damaged by the passage of time, are like an archeology of the present. These sculptures are casted in mineral materials related to geology such as rose quartz, glacial rock, obsidian, steel or volcanic ash, resembling fossilized items, found in a futuristic archeological dig.

photo Mathieu Vilasco

photo Mathieu Vilasco

The solo show also includes gouaches on mylar representing disused items exposed to the effect of time, a cassette and eroded CD. A stage with instruments also reconstitutes
elements of a performance and four casted tires on the walls evoke a music tour as if a rock band deserted in the main room of the gallery.
These eroded sculptures, future relics, generate a confusion in the audience’s mind by challenging modern assumptions about linear time and history.

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

photo Mathieu Vilasco

via perrotin.com

Leave a Reply

Michael Craig-Martin at Gagosian

[contact-form-7 id="26" title="Contact form 1"]