INHALE is a cultural platform where artists are presented, where great projects are given credit and readers find inspiration. Think about Inhale as if it were a map: we can help you discover which are the must-see events all over the world, what is happening now in the artistic and cultural world as well as guide you through the latest designers’ products. Inhale interconnects domains that you are interested in, so that you will know all the events, places, galleries, studios that are a must-see. We have a 360 degree overview on art and culture and a passion to share.

Tell us what you think:
THANK YOU FOR YOUR MESSAGE!
Share this site to:
Subscribe to Newsletter
Thank you! You are registered to our weekly newsletter.
Site Search
10 years, 2 months ago
Balmain Spring 2015 Ready-to-Wear
Filled under: Fashion, Front Page
ADS CURATED BY INHALE
Related to post:
from
'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

Balmain’s Olivier Rousteing said his starting point this season was last season’s after-party. Scroll back through the months and you’ll recall Rihanna, a sheer mesh top, and a much-liked Instagram pic. “Let’s free the nipple, you know what I mean?” he said backstage. As it turns out, there were no exposed nipples here, but there was a lot of skin and no shortage of transparencies—from the plastic inset on the hem of a mini, to the plissé mousseline of swishy flares, to the sheer nylon knits that have been popular on other runways as well. But for a show that was about “pushing the boundaries of sex,” as Rousteing bluntly put it, it didn’t always read as sexy.

photo style.com

photo style.com

photo style.com

photo style.com

The issue, in most cases, was the fabric. As eye-catching as allover crystals can be, they’re hard to slink in—harder still, we imagine, to sit down in. And the same goes for Rousteing’s leather. It was most convincing in small portions, like the striped bandeau worn with belted, high-waisted pants. When he balanced his instinct for embellishment with simplicity, things started to click—see the draped white tee tucked into a pencil skirt made from a Mondrian-ish grid of intersecting crystals. But in the end, this collection was at its best when Rousteing was thinking streamlined (a black bandage dress with cutouts that bisected the midriff) or sensual (Joan Smalls’ strappy, plunge-front dress and sheer pants in fiery.

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

Nicole Phelps
via style.com

Leave a Reply

Michael Craig-Martin at Gagosian

[contact-form-7 id="26" title="Contact form 1"]