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Ana Rajcevic’s biography states that she works at “the intersections of sculpture and fashion design.” For someone who is not familiar with people working between areas, it might sound a little strange. Of course, the first impulse would be to see what this is about. Her works are very fluid and create this feeling of imperceptible continuity. The lines are very soft and looks very warm, although the final works have that rough image.
She received an MA scholarship from University of Arts, London and she won LCF Best Design Award 2012 as well as the Accessories Collection of the year at International Talent Support in 2012 for the collection below. She exhibited in Berlin, Rome, Paris, London, Rotterdam, New York, Trieste and Istanbul.
ANIMAL: The Other Side of Evolution (fiberglass, polyester resin)
photo anarajcevic.com
ANIMAL: The Other Side of Evolution: (fiberglass, polyester resin, 2012)
photo anarajcevic.com
She started from the skeleton shape in order to create sculptures. The result is that it looks warmer and that it fits somehow weird somehow interesting the human body. When attached to the head, the sculptures look as if they are part of it, and giving the owner a sense of sensuality and power. Of course, when there is a mix of human and animal the result is very strong, because the animal features bring into question a time when humans were closer to that area.
ANIMAL: The Other Side of Evolution: (fiberglass, polyester resin, 2012)
photo anarajcevic.com
ANIMAL: The Other Side of Evolution: (fiberglass, polyester resin, 2012)
photo anarajcevic.com
What she wanted to create is sculptures that would be difficult to put in a specific category: accessories or jewelry? Anyway, the works can be exhibited separately as well as on a model.
ANIMAL: The Other Side of Evolution: (fiberglass, polyester resin, 2012)
photo anarajcevic.com
photo anarajcevic.com
photo lostateminor.com
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