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MoMA PS1 presents Mike Kelley, the largest exhibition of the artist’s work to-date and the first comprehensive survey since 1993. Regarded as one of the most influential artists of our time, Mike Kelley (1954–2012) produced a body of deeply innovative work mining American popular culture and both modernist and alternative traditions—which he set in relation to relentless self- and social examinations, both dark and delirious. Bringing together over 200 works, from early pieces made during the 1970s through 2012, the exhibition occupies the entire museum. This exhibition marks the biggest exhibition MoMA PS1 has ever organized since its inceptual Rooms exhibition in 1976.
Deodorized Central Mass with Satellites. 1991/1999.
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Born in Detroit, Kelley lived and worked in Los Angeles from the mid-1970s until his tragic death last year at the age of 57. Over his thirty-five year career, he worked in every conceivable medium—drawings on paper, sculpture, performances, music, video, photography, and painting. Speaking of his early work and artistic concerns at large, Kelley had said, “My entrance into the art world was through the counter-culture, where it was common practice to lift material from mass culture and ‘pervert’ it to reverse or alter its meaning… Mass culture is scrutinized to discover what is hidden, repressed, within it.” Through his art, Kelley explored themes as diverse as American class relations, sexuality, repressed memory, systems of religion and transcendence, and post-punk politics. He brought to these subjects both incisive critique and abundant, self-deprecating humor.
Switching Marys. 2004–2005.
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Day Is Done,
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Kelley’s work did not develop along a purely linear trajectory. Instead, he returned time and again to certain underlying themes—the shapes lurking underneath the carpet, as it were—including repressed memories, disjunctions between selfhood and social structures as well as fault lines between the sacred and the profane. The work Kelley produced throughout his life was marked by his extraordinary powers of critical reflection, relentless self-examination, and a creative—and surprising—repurposing of ideas and materials.
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2012 More Love Hours Than Can Ever Be Repaid and The Wages Of Sin. 1987.
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The application period for Spring 2015 Artist in Residence program is now open. 33OC seeks proposals from international professional artists interested in working within the Toffia environment for a one month period. 33OC Artist Residency program was developed to become a space & community where international artists can share places, experiences and sensibilities. The aim […]
Private studio retreats in a collaborative atmosphere for Spring 2015. Grin City Collective welcomes applications from artists of all disciplines at all stages of their career for residencies in rural Iowa, USA. Residents receive individual housing and studio space and may elect to participare in one of the following outreach programs: Social Practice Project: 1st Block […]
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Countryside Residency for International Artists in Rome, Italy Best of both worlds in this residency in the countryside just 40-minutes by train from vibrant Rome! Get inspired by this artist residency in the countryside of Rome! The non-profit organization ‘c.r.e.t.a. rome’ offers an international self-funded residency program in the countryside of Rome, Italy. The Italian […]
