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Sander Wassink is an artist and designer who encourages us to reconsider our ideas of beauty and aesthetic value. How can we reconsider what is important and what is desirable to include notions of history, memory and the preservation of a past which is slipping away. Amid new construction, new production, and constant proliferation of new forms and facades, Wassink turns his attention to the discarded, the abandoned, the left over and attempts to reimagine what can be done with the already partially formed. What new possibilities exist in the surfaces and materials that are half-built or half-destroyed. Whether his object is the partly demolished facade of an abandoned building, or the everyday detritus from our over productive culture, Wassink asks what new forms and new visions of beauty already exist to be discovered and appreciated.
The Dashilar Flagship store is a fictive, temporary shoeshop in the Hutong Dashilar in Beijing. It uses cheap, counterfeit shoes as raw material to create a brand with a new local identity and pride. The Cutting and re-editing of the shoes is being done in the shop by designers and the assembling is executed by the local Dashilar shoemakers. Wassink is making an attempt to create new collaborations in which designers, makers and the industry can interact more flexible in fulfilling local and global needs. He tries to deconstruct the idea of status by brands and give them a new meaning in a more local context.
Often Wassink uses products and leftovers of modern culture as a raw material for creating new meanings. Wassink believes one of the ways young people (designer) should create their own environment is by deconstructing the existing and reshaping it into something meaningful for them. Because this is one of the only ways to compete within our existing systems. Not strangely it’s clearly visible his interest is leaning towards processes and aesthetics of deconstructing and repurposing.
via sanvans.com