INHALE is a cultural platform where artists are presented, where great projects are given credit and readers find inspiration. Think about Inhale as if it were a map: we can help you discover which are the must-see events all over the world, what is happening now in the artistic and cultural world as well as guide you through the latest designers’ products. Inhale interconnects domains that you are interested in, so that you will know all the events, places, galleries, studios that are a must-see. We have a 360 degree overview on art and culture and a passion to share.

Tell us what you think:
THANK YOU FOR YOUR MESSAGE!
Share this site to:
Subscribe to Newsletter
Thank you! You are registered to our weekly newsletter.
Site Search
10 years, 2 months ago
Spring 2015 Ready-to-Wear Valentino
Filled under: Fashion, Front Page
ADS CURATED BY INHALE
Related to post:
from
'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

The Grand Tour. It’s a concept that lives mostly in our minds these days. As Maria Grazia Chiuri pointed out backstage, “In the past, the English and French came to our country to improve their culture; now all Italian people go to England or to New York.” But theoretical or not, the grand tour proved to be a transporting theme for Chiuri and Pierpaolo Piccioli’s Valentino show this afternoon: The collection was poetic, graceful, and beautiful.

photo style.com

photo style.com

photo style.com

photo style.com

Chiuri and Piccioli touched on many of Italy’s patrimonies, from its antiquities all the way down to its kitsch. Centuries-old interiors—the country is cornice heaven—provided blueprints for a series of colorful dresses printed with vivid flowers and arabesque forms. Another group of dresses was patchworked from what could’ve been souvenir scarves. Neapolitan pastel stripes decorated a shrunken sweater and the broderie anglaise skirt it was paired with. And Rome got its moment in the spotlight, too: A softly draped powder blue shift, loosely gathered at the waist, looked like something Diana the Huntress might’ve worn, save for the band of beading around the neckline. But the designers lavished special attention on the seaside, printing some gowns with starfish and snails, and embroidering others with shells, sailing ships, and underwater creatures like the Portuguese man-of-war.

photo style.com

photo style.com

photo style.com

photo style.com

It wasn’t just finery on the runway. Linen shirts with asymmetric necklines and a chunky ribbed sweater worn with lace-inset denim would make fine touring clothes. But as always, it was the workmanship that astounded, be it extravagantly done, as the feather-embroidered numbers were, or more naively wrought, like those sea creatures. “In this moment when everything is synthetic, digital, and flat, you need something more human. To dream, you need to feel something, not just to see,” said Piccioli. That’s not just a fine reason for a grand tour, it’s a manifesto for modern life.

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

photo style.com

via style.com

Leave a Reply

Michael Craig-Martin at Gagosian

[contact-form-7 id="26" title="Contact form 1"]