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11 years, 5 months ago
VAMPIRE WEEKEND – THE MUCH AWAITED ALBUM
Filled under: Front Page, Music
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'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

Think maybe this is overworked? Think maybe the hosannas are reflexive, generalized? I did, and then I didn’t. So now think Paul Simon instead if you insist, admittedly a great album. But Sgt. Pepper is a truer precedent, to wit: if you’re smart you say where’s the rebop, only if you’re smarter you quickly figure out that maybe sustaining groove and unfailing exuberance don’t matter as much as you believed.

Each verse/chorus/bridge/​intro melody, each lyric straight or knotty, each sound effect playful or perverse (or both)‑-each is pleasurable in itself and aptly situated in the sturdy songs and tracks, so that the whole signifies without a hint of concept.

And crucially, the boy-to-man themes you’d figure come with several twists I’ve noticed so far and more no doubt to come. One is simply a right-on credo: “Age is an honor‑-it’s still not the truth.” Another is how much time Ezra Koenig spends wrestling a Jahweh-like hard case.

photo vampireweekend.com

photo vampireweekend.com

The Big Guy comes out on the short end of a fight song called “Unbelievers,” and a DJ “spinning `Israelites’ into `Nineteenth Nervous Breakdown’” gives Him a nasty turn. But Koenig claims no permanent victory. Too smart. Too much a man, too.

A PLUS

photo thisisspectrum.blogspot.com

photo thisisspectrum.blogspot.com

via social.entertainment.msn.com

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