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11 years, 3 months ago
WHEN EMERGENCY RELIEF MEETS SENSIBILITY FOR DESIGN
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'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
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“Every child should have the right to a safe place to call home”. This statement belongs to Jonathan Spampinato (Head of Communications & Strategic Planning at the IKEA Foundation) and is the onset of Ikea’s latest project: an improved refugee shelter. The daring enterprise was unveiled earlier this year, on June 20th, known to many as World Refugee Day (timing is everything, isn’t it?).

The philanthropic limb of the Swedish leviathan – a.k.a the Ikea Foundation – has invested $ 4.5 millions in order to create better housing units for refugees. Alongside UNHCR (the United Nations’ Refugee Agency) and RHU (Refugee Housing Unit), the organisation is sending 50 prototypes to be tested in Iraq, Lebanon and refugee camps in Dollo Ado, Ethiopia.

photo designboom.com

photo designboom.com

photo designboom.com

photo designboom.com

What were the priorities in this 3-year-long development? In accordance with everything Ikea represents, the prime issues were durability, security, handiness and comfort. And all of these come in the well-known flat-packs which take about four hours to construct, quite a bit longer than it takes to set up a canvas tent (a single hour). However, the new shelter needs no special tools to be built, as most Ikea shopaholics know, so the mallet is useless in this scenario (advantage: Ikea unit; handiness: checked). Also, the prototype is more sustainable than a simple tent, with a resistance up to nearly 3 years (durability: checked).

Simplicity remains the norm for Ikea’s prototype in such a way that the rectangular panels of lightweight plastic snap onto a metal frame and are held together by wires. Hence, four walls made of Rhulite (a lightweight polymer easy to transport but strong enough to confront harsh climate) and a rooftop covered in solar panels offer insulation and privacy in a space of 17.5 square metres (security and comfort: checked).

photo visible-good.com

photo visible-good.com

At present, the price of one Ikea shelter is about $7.500, but it could drop to less than $1.000 once it becomes mass-manufactured. And this might happen in the future, as the prototype is easier to ship, assemble and live in than its predecessor. Although Ikea Foundation deserves all the praise for orchestrating such a complex collaboration, I must call to record another initiative of this manner.

The RDM (Rapid Deployment Module) developed by Visible Good (a company which provides housing not only for people in need, but also for their caregivers) is a shelter destined for humanitarian assistance and disaster relief. This modular unit stands at the crossroads between a trailer and a tent and requires only 25 minutes to set up, without the use of tools. The hard walls and good insulation properties are signs of a sustainable unit that is easy to ship, as it can pack into its own floor. Although the cost of such a project reaches $15.500 per unit, the durability extends from 10 to 20 years (with the exception of the roof that requires a makeover every 3 to 5 years). Ikea might have found a cheaper way to help refugees in the short-run, but the RDM proves to be more innovative with its ability to affix to other prototype units, whether it is a shower or a lavatory.

photo fastcoexist.com

photo fastcoexist.com

I believe that this is just the beginning of a new course of action concerning emergency housing. The examples mentioned above are proof that smart design can be applied in any given circumstances. There is more than enough room in this world for ambitious, philanthropic products. If only nature was solely to blame for the calamities that require such devised improvements…

by Cristiana Șerbănescu

Cristiana Șerbănescu is allergic to describing herself to the public. The one thing she is sure of is that she wants to come to terms with her own artistic differences. She is now attempting to INHALE.

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