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From his early box-like constructions of the late 60’s he moved increasingly to the use of ordinary household objects, playing against the logic of his sources. In 1974, he exhibited his iconic piece “An Oak Tree”, consisting of a glass of water standing on a shelf high on the gallery wall. In the accompanying text, he asked himself questions to assert that, despite appearances, he had changed the glass of water into an oak tree.
photo db-artmag.com
In the late 70’s he began to make line drawings of ordinary objects, creating over the years an ever-expanding vocabulary of images which form the foundation of his work to this day. Craig-Martin continued working in various mediums, always maintaining an elegant restraint and conceptual clarity. During the 1990s the focus of his work shifted decisively to painting, with the same range of boldly outlined motifs and luridly vivid color schemes in unexpected combinations applied both to works on canvas, and to increasingly complex installations of wall paintings.
photo michaelcraigmartin.co.uk
photo arteverywhere.org.uk
photo artnet.com
photo artsinspiration.files.wordpress.com
photo artsy.net
photo multimedialab.be
Jun 12 – Aug 16, 2014
Hong Kong
via gagosian.com
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