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September 11 – October 25, 2014
540 West 26th Street & 201 Chrystie Street, New York
Lehmann Maupin presents Drawings, an exhibition of new works by renowned Korean artist Do Ho Suh. On display at both 540 West 26th Street and 201 Chrystie Street, the exhibition will highlight the significant role and varied forms drawing plays in Suh’s oeuvre. This two-part show will feature the range of his works on paper, including drawings using pencil, pen, ink, and watercolor, his unique “thread” drawings, as well as his large-scale rubbings. The artist will be present for an opening reception on Thursday, September 11 from 6-8PM, and at a book launch on Saturday, September 13 at 540 West 26th Street from 4-6PM.
photo lehmannmaupin.com
Primarily known for his room-scale installations made of transparent fabric that recreate spaces in which he has lived, the artist has consistently utilized drawing throughout his career to explore and develop relationships between common themes of his practice including notions of home, physical space, displacement, identity, and memory. A focus of this exhibition, and Suh’s most elaborate use of drawing to date, is his Rubbing/Loving Project. Here Suh painstakingly covered the flat walls and three-dimensional fixtures of the interior and exterior of architectural spaces that hold great personal, cultural, or historic significance to him with vellum and rubbed each surface with colored pencil or graphite. These rubbings create imprints of the spaces, uncovering a particular location’s history, memories, and traces of its use.
photo mymodernmet.com
Rubbing/Loving Project, 348 West 22nd Street, Apt. A, New York, NY 10011 is presented at Lehmann Maupin’s 540 West 26th Street location. A recreation of the brick and mortar exterior of Suh’s former New York apartment building stands at the entrance of the gallery, featuring a blue colored pencil rubbing of the façade’s interior on the reverse. On the gallery walls and floor, Suh will splay open the 1:1 scale rubbings of the walls and floor of his apartment. In this way the rubbings convey a former life, suggesting the shedding skin of a place that has been the artist’s home and has great personal and emotional importance.
photo exhibit-e.com
via lehmannmaupin.com
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