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They love it eclectic and have no real hometown: InFine records lives the global dream with global music.
The label is based in Paris, Lyon, and Berlin, it has been founded in 2006 by Alexandre Cazac, Yannick Matray, and French Techno legend Agoria, and it follows no stylistical guideline. It only claims to be cutting edge, humanistic, and emotional! In the last seven years it already released 21 albums and 49 EPs who long stylistically from Techno to Classic, from Flamenco to House, from Electronic to Pop. Their artist roster contains of such acclaimed musicians, DJs, and producers like the Luxembourg pianist and composer Francesco Tristano, the Austrian Electronic lad Clara Moto, the experimental Techno maverick Rone, mysterious Arandel, the Classic meets Techno trio Aufgang, the World music border crosser Bachar Mar Khalife, the Lyon based duo Spitzer, and the French Techno stars Agoria and Oxia. Also lots of collaborations with musicians like Carl Craig, Moritz von Oswald, or Apparat, as well as remixes by celebrated artists like Moeselektor, John Talabot, Robert Hood, Radio Slave, Juan Atkins, or Seth Troxler are part of their versatile discography.
To find out why they are so eclectic we talked to the label manager Julien Gagnebien gave an interview about the label that just wants to release “easy music for hard to please people”.
The InFiné sound is hard to pigeonhole – if you could describe it in one sentence, what would you say?
Julien Gagnebien: InFiné’s catalogue does not fit into a single genre. We would release with as much pride a record of minimal Flamenco from Pedro Soler and Gaspar Claus as a cold-wave-shoegaze album of Cubenx. But over the idea of categorisation there is an “emotional” feel on most of our releases and a special care taken for sequencing. All InFiné albums tell little stories.
-via carhartt-wip.com. More news in InFine’s music you can find on www.infine-music.com