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MccGwire’s work often explores themes such as Freud’s Unheimliche, the uncanny or unhomely and otherness by using the language of nature to create unnatural forms.
Ephemeral materials such as her feathers, including pigeon, mallard or magpie, are used in complex and intricate ways, to make beautiful but sometimes uncomfortable constructions; challenging our perceptions of the familiarity of feathers with birds in flight.
MccGwire creates complicated and sophisticated forms which provide an alternative take on an original approach to natural history, describing them herself as “binary concepts of darkness and beauty, sensuous and sensual”.
For MccGwire, feathers are a familiar object which she transforms into disconcerting yet alluring configurations, probing the beauty inherent in duality and exploring the play of opposites. Unsettling, surreal and immersive, her work is loaded with symbolic meaning.
via coastalcurrents.org.uk