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Dallas Contemporary announces The Unplayed Notes Museum, an exhibition by Loris Gréaud (French, b. 1979), on view beginning January 18, 2015. Greaud’s first major solo museum exhibition in the United States,
The Unplayed Notes Museum is a site-specific project commissioned by Dallas Contemporary.
For the first time, the entirety of the institution’s 26,000 square feet of gallery space will be devoted to the work of a single artist. The exhibition offers a unique opportunity to experience the full scope of Gréaud’s exploration and obsession with the idea that the project is under its own authority – existing within unique rules of time, economy, process, apparition and communication. The artist constantly challenges the boundaries between exhibitions and reality.
ONCE AGAIN SOME PERVERSE MANIPULATIONS WERE RE- FRESHING THE WORLD, 2009 photo yvon-lambert.com
For more than a decade, Loris Gréaud has established an atypical trajectory in the international contemporary art scene. His work has been widely exhibited internationally, and in recent years, he has been the subject of significant museum exhibitions in major cities worldwide – including Hong- Kong, Tokyo, London, New York, Berlin, Milan, and Paris. In 2008, Gréaud became the first artist to take over all 40,000 square feet of the prestigious contemporary art center Palais de Tokyo in Paris with his monumental and fantastical multidisciplinary installation Cellar Door. The project, which spanned five years and was site-specific to each venue, traveled to some of Europe’s most respected institutions, including the ICA, London; Kunst Halle Sankt Gallen, Switzerland; La Conservera, Murcia, Spain; and the Kunsthalle Wien in Austria.
Known for creating long-term projects and immersive installations riddled with deep philosophical and conceptual undercurrents, Gréaud refers to his process as an “empirical machine,” often collaborating with engineers, architects, musicians, historians, and scientists.
FREQUENCY OF AN IMAGE (2012) Courtesy Gréaud Studio et Yvon Lambert Photo Minsk Studio
FREQUENCY OF AN IMAGE (2012) Courtesy Gréaud Studio et Yvon Lambert Photo Minsk Studio
The artist Loris Gréaud during the installation of his “Cellar Door” project at the Palais de Tokyo in Paris.
via dallascontemporary.org
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