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When Mount Etna erupted on 20th November 2013, the dramatic event was broadcast by a haunting noise of rumbling stones and a vast plume of dark smoke that completely obscured the sun. After the smoke, black earthen debris began showering down over the villages and cities within the immediate vicinity of the mountain. From the highway through to the Greek theatre in Taormina, everything was covered with black.
“Mount Etna is a mine without miners – it is excavating itself to expose its raw materials.”
Studio Formafantasma, in collaboration with Gallery Libby Sellers, present ‘De Natura Fossilium’ –
an investigation into the culture of lava in the Mount Etna and Stromboli regions of Sicily, two of the last active volcanoes in Europe.
photo libbysellers.com
With ‘De Natura Fossilium’ Studio Formafantasma investigates the cultures surrounding this particularly Sicilian experience to bring both the landscape and the forces of nature together as facilities for production. As in their previous projects Autarchy (2010) and Moulding Tradition (2009), Formafantasma questions the link between tradition and local culture and the relationship between objects and the idea of cultural heritage. De Natura Fossilium is a project that refuses to accept locality as touristic entertainment. Instead, the work of Formafantasma is a different expedition in which the landscape is not passively contemplated but restlessly sampled, melted, blown, woven, cast and milled. From the more familiar use of basalt stone to their extreme experiments with lava in the production of glass and the use of volcanic fibers for textile, Formafantasma’s explorations and the resulting objects realise the full potential of the lava as a material for design.
photo libbysellers.com
photo libbysellers.com
via formafantasma.com
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