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Danish-born Maria Rubinke’s (1985) small porcelain figures are reminiscent of the illogical compositions of surrealism, transforming the character of what are traditionally charming and passive objects into expressions of more taboo feelings that oscillate between desire and sadism.
It is true that the artistic process of taking a symbol of childhood and innocence and mutilate it with the atrocities of a neurotic adult brain is nothing uncommon.
However, we must admit the fact that Maria Rubinke did it beautifully. First of all, her realistic view is strikingly touching. Then, the way she played with colors is simple but effective, resembling the scene of the red gabardine in Schindler’s List.
Emerging Danish ceramicist Maria Rubinke blends the childlike and innocent with the grotesque in her sculptural work, creating pristine porcelain toys and corrupting them with streams of red glaze emanating from rips and tears in their anatomies. The porcelain toys become biological beings whose visceral injuries can be difficult to look at despite the chubby-cheeked figures’ adorable countenances. Elements of the grotesque and the cute break down, pulling the viewer between these opposing poles. Let’s take a look at some of Rubinke’s sculptures below.
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