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Those of you who had the chance to visit the Palais de Tokyo this summer surely marveled at the custom wood installation installed by Brazilian artist Henrique Oliveira. The architectural anthropomorphism, as the museum called it, plays of the building’s existing structure, surrounding visitors in a twisted, knotted exploration of structure and material, made from tapume wood sticks that were recycled from the artist’s home country, a typical material used in Brazilian construction. This interplay of organic materials, here as a structural intervention intervening with a man-made dimension, joins a growing trend of biologically inspired design.
Creating a spectacular and invasive Gordian Knot, Henrique Oliveira plays with Palais de Tokyo’s architecture, allowing a work that combines the vegetal and the organic to emerge. The building itself becomes the womb that produces this volume of “tapumes” wood, a material used in Brazilian towns to construct the wooden palisades that surround construction sites.
In the form of paintings, sculptures or installations, the hybrid art of Henrique Oliveira (b. 1973, lives and works in São Paulo) evokes both the urban and the vegetable, the organic and the structural, as well as art and science, through compositions in which the unexpected generates a universe tinted with the fantastic.
Through a kind of architectural anthropomorphism, Henrique Oliveira reveals the building’s structure. At Palais de Tokyo, he plays on the space’s existing and structuring features, prolonging and multiplying pillars in order to endow them with a vegetable and organic dimension, as though the building were coming alive. The artist draws inspiration from medical textbooks, amongst others, and particularly from studies of physical pathologies such as tumors. Through a formal analogy, these outgrowths evoke the outermost layers of the bark of a common tree. The texture of this wooden tapumes installation inevitably calls to mind certain tree essences from Amazonian, humid tropical forests: the rivulets and other nodes constitute uncontrollable networks, in a logic that Man can no longer suppress.
-via dezeen.com
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