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9 years, 3 months ago
Erwin Olaf at Hasted Kraeutler
Filled under: Front Page, Photography
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'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
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Hasted Kraeutler has worked with Dutch artist Erwin Olaf (b. 1959) since 2005, and was the first gallery to represent his work in North America. Now a prominent name, Erwin Olaf has gained global recognition designing the Dutch side of the Euro coin in 2013, and winning the 2011 Johannes Vermeer Award, among other accolades. Known for stunningly stylized work throughout which a provocative tension reigns, Olaf employs high polish to both perverse and eerily seductive effect. A compelling frisson is generated in the space between his superficially sleek surfaces and the depth of emotion they convey; between their expressive power and their formal silence. Every work Olaf produces is characterized by an almost overpowering energy of potential and poise, hovering in a place where all action is merely suggested or insinuated.

Waiting, Shenzhen 2

Waiting, Shenzhen 2

Waiting unites a careful selection of images culled from the astounding collection contained in both of Aperture’s volumes. It also marks the worldwide unveiling of the new series, Waiting, which includes recent photographs and a related video installation—functioning, therefore, both as the collective title for Olaf’s latest work and as an apt description of his production throughout recent decades.

The exhibition is anchored by a split-screen video installation that occupies a room conceived specifically for it, and features a poignant musical score created in close collaboration with a composer over the course of six weeks. Drawing on the shapes and shadows of film noir, the piece depicts a striking young woman with a sharp black bob as she sits at a round table in a restaurant, waiting for someone. Pictured from a different angle on each of the two screens, she appears elegant and self-possessed, at first, but as the moments pass with no sign of her date, her patience frays. Viewers are forced to wait with her—and as she grows restless, we do as well.

Caroline, 2007

Caroline, 2007

Nairobi 2, 2014

Nairobi 2, 2014

The Boxing School, 2005

The Boxing School, 2005

Portrait 5, 2005

Portrait 5, 2005

The Dancing School, 2004

The Dancing School, 2004

Hotel Kyoto (Room 211), 2007

Hotel Kyoto (Room 211), 2007

via hastedkraeutler.com

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