INHALE is a cultural platform where artists are presented, where great projects are given credit and readers find inspiration. Think about Inhale as if it were a map: we can help you discover which are the must-see events all over the world, what is happening now in the artistic and cultural world as well as guide you through the latest designers’ products. Inhale interconnects domains that you are interested in, so that you will know all the events, places, galleries, studios that are a must-see. We have a 360 degree overview on art and culture and a passion to share.

Tell us what you think:
THANK YOU FOR YOUR MESSAGE!
Share this site to:
Subscribe to Newsletter
Thank you! You are registered to our weekly newsletter.
Site Search
9 years, 2 months ago
KEITH LEMLEY: Arboreal at Mixed Greens
Filled under: Front Page, Visual arts
ADS CURATED BY INHALE
Related to post:
from
'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

Mixed Greens is thrilled to present Keith Lemley’s first solo exhibition in New York. He will present an arresting, site-specific installation that combines large Chestnut Oak sculptures with handcrafted neon, synthesizing the organic and the machine.

Always interested in scientific research connecting disparate parts of the universe through underlying geometry, Lemley has become known for large-scale, angular neon installations that unify spaces through light, color, and line. More captivating than the actual geometric theories is the process of experimentation and discovery shared by scientists and artists alike. Lemley is intrigued by the next set of questions each installation poses and the challenge of uniting materials, light, and architecture within each exhibition.

photo mixedgreens.com

photo mixedgreens.com

Approximately six years ago, a large Chestnut Oak tree fell on a ridge near Lemley’s studio in rural Appalachia. The trees in that area can be traced back to the early 19th century in spite of scarce nutrients and strong winds on the cliff. Lemley walked past this fallen tree nearly every day. Eventually, he began to carve the wood, exposing nearly two centuries of history. The shapes of the sculptures come from the knots, limbs, defects, and idiosyncrasies in the tree’s growth. Lemley works to reveal the underlying geometry in this natural material; he sees the cuts as a collaboration with the tree, uncovering an order and a narrative that was already there.

photo thisiscolossal.com

photo thisiscolossal.com

photo thisiscolossal.com

photo thisiscolossal.com

Neon tubes act as extensions of the wooden, gem-like forms. The lines of light become drawings in three-dimensional space, exaggerating shapes, drawing attention to characteristics of the wood, and imagining what could have been if the tree continued to grow and expand. The neon is a counterpoint to the wood formally, materially, and conceptually. Although the neon is light itself, it becomes a ghost of the carved wood.

Together, the heavy wooden forms and the delicate, yet powerful, neon create an immersive installation for viewers, recreating the wonder Lemley feels when reading about a new scientific discovery or taking a walk through the woods.

photo creativitea.org

photo creativitea.org

photo artcation.com

photo artcation.com

via mixedgreens.com

Leave a Reply

Michael Craig-Martin at Gagosian

[contact-form-7 id="26" title="Contact form 1"]