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9 years, 8 months ago
Phyllida Barlow at Hauser and Wirth
Filled under: Front Page, Visual arts
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'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
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Hauser & Wirth presents Phyllida Barlow’s ‘GIG’, the inaugural exhibition at Hauser & Wirth Somerset. Since the late 1960s, British artist Phyllida Barlow has focused on the physical experience of handling materials, which she transforms through layering, accumulation and juxtaposition.
Barlow’s direct and practical processes of making utilise readily available materials such as cardboard, cement and plaster, polystyrene,timber and paint. Barlow’s sculptural practice is grounded in an anti-monumental tradition and is concerned with the relationship between objects and the space that surrounds them.

photo hauserwirth.com

Untitled, photo hauserwirth.com

photo hauserwirth.com

photo hauserwirth.com

On first entering the gallery the viewer encounters a jubilant cacophony of brightly coloured fabric pompoms suspended from a timber structure that extends up into the rafters of the Threshing Barn. Moving through the pompoms past ‘untitled: pianoframeandcover’ into the adjoining Workshop gallery, the entrance appears to be blocked by a tightly bound mass of studio detritus fixed to a surface of painted plywood sheets. The room is so densely packed with precarious and unwieldy forms jostling for space that one of the sculptural objects has been forced outside, to be viewed from the
gallery window.

Untitled: pianoframeandcover photo hauserwirth.com

Untitled: pianoframeandcover
photo hauserwirth.com

Untitled: Hoard photo palmbeachdailynews.com

Untitled: Hoard
photo palmbeachdailynews.com

TIP photo theartnewspaper.com

TIP
photo theartnewspaper.com

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