INHALE is a cultural platform where artists are presented, where great projects are given credit and readers find inspiration. Think about Inhale as if it were a map: we can help you discover which are the must-see events all over the world, what is happening now in the artistic and cultural world as well as guide you through the latest designers’ products. Inhale interconnects domains that you are interested in, so that you will know all the events, places, galleries, studios that are a must-see. We have a 360 degree overview on art and culture and a passion to share.

Tell us what you think:
Share this site to:
Subscribe to Newsletter
Thank you! You are registered to our weekly newsletter.
Site Search
8 years, 8 months ago
Richard Jackson at Hauser and Wirth
Filled under: Front Page, Visual arts
Related to post:
'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg

Hauser & Wirth presents an exhibition of major new works by Richard Jackson, including the latest in his series of large-scale mechanical installations.

Los Angeles based Jackson has been a pre-eminent figure in American contemporary art since the 1970s, counting Edward Kienholz and Bruce Nauman among his contemporaries. Influenced by both Abstract Expressionism and action painting, Jackson explores a performative painting process which seeks to extend the potential of painting by upending its technical conventions. For Jackson, paint is not a tool used to create a representational image, but is used as a ubiquitous liquid which is spurted, splattered and sprayed over the surface of his installations.

Who Painted My Horse Yellow?  photo

Who Painted My Horse Yellow?

Jackson responds to the high-mindedness of painterly practice by repositioning painting as an everyday experience. He draws on domestic environments and basic human activities, such as defecation and sexual behaviour, to create the foundation of his installations. His approach to artistic practice is democratic as he combines it with references from lowbrow American culture, including motifs from hunting and baseball.

Paint Room photo

House of Paint

In a characteristic display of crudeness, ‘Pain-t’ (2012) depicts a line-up of boys with their pants pulled down, coated in paint which has been fired from their orifices. During the seminal action, paint was ingested through the figures’ mouths and followed the entire digestive tract before forcefully spurting from their behinds. In a similarly degrading image, ‘Copy Room’ (2014) entails a sex doll positioned on top of a photocopier, legs spread and recalling a scene from debauched office parties as the machine churns out endless replicas of her bodily imprint.


Show Room, photo

Pain-t photo


Clown photo


Richard Jackson New Paintings
23 May – 26 July 2014, Hauser & Wirth London


Leave a Reply

Michael Craig-Martin at Gagosian

[contact-form-7 id="26" title="Contact form 1"]