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9 years, 8 months ago
Ruby Sterling at Hauser and Wirth
Filled under: Front Page, Visual arts
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'Biography' presents a wide selection of works from Elmgreen & Dragset's complex universe, including sculpture, performance and interactive installations. Works from the late 1990s onwards will be shown together with recent projects, ...
Photo Anders Sune Berg
perrotin.com

Possessed of a profound material sensibility, Sterling Ruby’s art speaks in a language inspired by sub-cultural phenomena ranging from graffiti, urban gangs, and prison systems, to craft and the history of quilt-making. Ruby’s work, which encompasses nearly every medium, voraciously cycles through the autobiographical, the art historical, and the sociological, creating layers of reciprocal influence that radiate outward. Ruby exploits tensions within aesthetic and societal systems, recreating and drawing our attention to repressive and liberated states.

HANGING FIGURES (4838), 2014 photo hauserwirth.com

HANGING FIGURES (4838), 2014
photo hauserwirth.com

Sterling Ruby’s studio has been described as ‘an archive, a vessel’ filled with a plethora of art objects and materials, including failures, successes, and pieces that offer the potential to be reclaimed and reanimated as new forms. The works on view in ‘SUNRISE SUNSET’ represent the many modes of the artist’s production but play upon a central motif: a tension between the horizon lines of the artist’s monumental paintings, and the circular forms in primary colours that are found in a mobile, the collages, and sculptures.

Pillars, 2014 photo hauserwirth.com

Pillars, 2014
photo hauserwirth.com

These circles suggest celestial bodies – the rising sun, an orbiting moon. Ruby presents a personal cosmology; his work traces an existential timeline, the continual cycle of day into night, a day’s production or a lifetime’s, from birth to death. Here we find powerful forces in opposition, calibration, and suspension: literal and figurative, representational and abstract, East Coast and West Coast, the permanent and the fleeting, pathos and playfulness, glory and abjection.

Big Yellow Mama, 2013 photo hauserwirth.com

Big Yellow Mama, 2013
photo hauserwirth.com

The Cup, 2013 photo hauserwirth.com

The Cup, 2013
photo hauserwirth.com

via hauserwirth.com

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Michael Craig-Martin at Gagosian

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