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The exhibition is directly related to the vast and extraordinary installation YES, which Fischer made on-site at the Geffen Contemporary in 2013 together with 1,500 participants, parallel to his survey exhibition at MOCA. Working quickly with clay, in a manner more like a sketch—abstract, approximate, and raw—they were able to achieve an unprecedented directness. But where YESdealt with the ephemeral energies of a collective creative act, Fischer’s new exhibition eternalizes key elements of the original installation as cast unpatinated bronze and gilded bronze figurative sculptures.
The exhibition is in two parts, uptown and downtown. The uptown exhibition inaugurates the opening of a new Gagosian space at 821 Park Avenue at 75th Street, a storefront gallery of approximately 1,000 square feet in a landmarked building. The gallery contains a single large-scale sculpture last supper, Fischer’s take on the classical religious theme, cast in bronze from the original unfired clay composition that first appeared as a central element of YES.
URS FISCHER
mermaid, 2014
photo gagosian.com
URS FISCHER
pietà, 2014
photo gagosian.com
URS FISCHER
boy in chair, 2014
photo gagosian.com
URS FISCHER
last supper, 2014
photo gagosian.com
URS FISCHER
last supper (detail), 2014
photo gagosian.com
via gagosian.com
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